Rabu, 28 Mei 2014

[F623.Ebook] Ebook MySQL for Python, by Albert Lukaszewski

Ebook MySQL for Python, by Albert Lukaszewski

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MySQL for Python, by Albert Lukaszewski

This is a practical, tutorial-style book that includes many examples to demonstrate the full potential of MySQL for Python. Every chapter starts with an explanation of the various areas for using MySQL for Python and ends with work on a sample application using the programming calls just learned. All complicated concepts are broken down to be very easy to understand. Everything in the book is designed to help you learn and use MySQL for Python to address your programming needs in the fastest way possible. This book is meant for intermediate users of Python who want hassle-free access to their MySQL database through Python. If you are a Python programmer who wants database-support in your Python applications, then this book is for you. This book is a must-read for every focused user of the MySQL for Python library who wants real-world applications using this powerful combination of Python and MySQL.

  • Sales Rank: #809508 in Books
  • Published on: 2010-09-21
  • Released on: 2010-09-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.00" w x 7.50" l, 1.66 pounds
  • Binding: Paperback
  • 440 pages

Review
If you are writing quick admin code or building your own database interaction layer, then this book would do well to be in your collection --Matt Reid

About the Author
Albert Lukaszewski is a principal consultant for Lukaszewski Consulting Services in southeast Scotland. He has programmed computers for nearly 30 years. Much of his experience is related to text processing, database systems, and natural language processing (NLP). Currently he consults on database applications for companies in the financial and publishing industries.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Too many mistakes
By stlcole
There are too many mistakes in the coding provided as examples. I would have to work through other resources to correct the author's code. That is a very bad quality for a tutorial. Avoid.

0 of 1 people found the following review helpful.
Very Good and useful!
By sujin wie
There are a little simple example.

But it was to explain detail and to useful information for me..

So I recommended that book!

23 of 23 people found the following review helpful.
Good for those new to MySQL and SQL, but has some issues
By Chris Sears
Based on the title, I was expecting in-depth coverage of Python's MySQL libraries, or at least for Python to be a main focus of the book. I was disappointed to find that the primary thing this book teaches is the SQL language and the coverage of Python was limited to the bare minimum needed to run the SQL examples. And although it does touch on some of the SQL language elements unique to MySQL, most of the content is standard SQL that would work on many different databases.

If you are new to SQL and are developing non-web applications, using MySQL for a database and Python as your programming language, this book may be valuable to you. If instead, you already know SQL and especially if you are developing web applications, this is not the book for you. I mainly fault the book for claiming too broad of an audience and omitting some important concepts.

Here are some of the major issues:

1. The book never makes the distinction between SQL (the language), MySQL (the database server/DBMS), and MySQL's proprietary SQL extensions. These are important concepts to understand. If this was your first exposure to the SQL language, you would leave with some significant knowledge gaps.

2. The only MySQL library covered is the aging MySQLdb, aka mysql-python. This is the default MySQL library that ships with Python, but there are other libraries, such as SQLalchemy or oursql, which at least deserved to be mentioned.

3. Perhaps the most serious omission is that SQL injection attacks are never covered and throughout the book the example code construct SQL statement strings in a way that could easily be exploited in a web application environment.

4. My jaw dropped when chapter 7 introduced a web-enabled MySQL administration example explained that CGI and PHP were good options for exposing a Python app over the web. That may have been true 10 years ago, but no one would use either in a modern Python web application. Any rational developer would use a web-app framework like Django, which include a nice database abstraction or ORM library - none of which ever get mentioned. The PHP example actually recommends running Python script using the (PHP) shell_exec() function. This sort of thing has no place in a Python book.

5. The book says its examples were written for Python 2.5.2, which was released in Feburary 2008 and later found to have security bugs. I expect most people are smart enough not to blindly go download version 2.5.2, but I would have prefered they mention version 2.5.5 (release January 2010) which fixed the security issues. Better still would have been to target a more modern, mainstream version of Python, like 2.6 or 2.7.

6. In chapter 7, as the book introduces HTML, it mentions the web site W3Schools as "one of the best" sources for HTML tutorials. This could not be more wrong. W3Schools is quite dated and contains many horrible examples that anyone new to modern web development would want to avoid like the plague. It unfortunately shows up at the top of many Google searches, so it gets cited frequently. That may sound trivial, but to me, this is further indication that the author has very limited experience with developing apps for web environments.

In summary, I felt the book did not live up to its title or the various descriptions of its audience and scope. It does contain some good information and would certainly help novice Python programmers needing a broad introduction to using SQL, MySQL and the Python MySQLdb library. Unfortunately, I suspect that most "intermediate Python programmers" (which the book claims to target) will already know enough SQL and MySQL that this would be a disappointing read.

(I would note that I was provided a free ebook copy this title and was invited to provide feedback.)

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Senin, 26 Mei 2014

[X930.Ebook] Fee Download The Adobe Illustrator CS2 Wow! Book, by Sharon Steuer

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The Adobe Illustrator CS2 Wow! Book, by Sharon Steuer

Designed to dazzle and inspire but not leave you in the dust, this beautifully designed volume lets you follow along as it dissects real-world projects from some of today’s top Illustrator artists. In the process it teaches you how to use Adobe Illustrator CS2 in ever more creative ways for your own projects. Best-selling author and award-winning artist Sharon Steuer uses lavish, four-color images of real-world Illustrator CS2 projects to show what’s possible and then employs simple, step-by-step instructions to explain the techniques that will produce those effects. You’ll find comprehensive coverage of all of Illustrator CS2’s most important capabilities. Veteran users will be grateful to explore Illustrator CS' new features, including the new drawing tool, Live trace, Live paint, SVG-T and much more. On the CD, you'll find many examples of artwork from the book, third-party software, demos, samples, and more.

  • Sales Rank: #1170148 in Books
  • Published on: 2005-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.12" h x .92" w x 7.56" l, 1.10 pounds
  • Binding: Paperback
  • 464 pages

About the Author

Award-winning artist, author, teacher and digital art guru, Sharon Steuer has been a major force in the digital art world for more than two decades. Her traditional and digital artwork has been exhibited widely, with awards for painting including the national Faber Birren Color Award and Windsor Newton Painting Award.  Sharon is a regular columnist for creativepro.com, and is author of  Creative Thinking in Photoshop: A New Approach to Digital Art as well as all editions of the best-selling Illustrator WOW! Book, which has twice received the Ben Franklin Award for best computer book. 

Most helpful customer reviews

22 of 22 people found the following review helpful.
Amazing Book
By Jesse B.
I've been wanting this book for a while, and I finally decided to purchase it.

I was very impressed by the artwork throughout the entire book, inlcuding examples from professionals, every page is colored, and its so easily organized. Its a pretty thick book at around 430 pages of all full color (still amazes me at the price I got it for).

I've used several Adobe Illustrator Books, including:

Visual QuickStart Guide: Illustrator CS,

Adobe Illustrator 10/CS/CS2 Classroom in a Book,

Adobe Illustrator CS in 24 Hours,

and several others that I didn't completely read.

I know thats a lot of books but It took me a while to grasp the feel of Illustrator. I would say if you have used Illustrator for over 3 months and have a basic understanding of it then this is the perfect book to expand your creativity and give you a new outlook on devoloping vector graphics. It goes through a lot of the beginner guides, but it jumps right into getting you active and used to Adobe Illustrator with simple exercises and methods of creating things. I also like the included HotKey piece in the back of the book, good to hangup to get used to using keyboard/mouse only (not clicking tool items). The CD is also a big plus, if you want to get good at Illustrator this is the best book I would suggest.

This is, hands down, the best book I've ever purchased for the computer.

4 of 4 people found the following review helpful.
A WOW! of a book
By C. S. Lake
The Adobe Illustrator CS2 WOW! Book has been a great resource during my first foray into computer illustration. First of all, as it says on the cover, the "Wow" book contains tips, tricks, and techniques from 100 top Adobe Illustrator artists. But most compellingly for me, it has beautiful examples of a wide variety of artwork printed in full color both in the book, and on the CD which comes with it. The CD has a dimensional advantage by providing access to the "layers" within each illustration, so you can see how the artist created, or "built" the illustration. The "Wow" book also says it is the definitive book on mastering Illustrator, which may give you the impression that is only for the advanced user. However it has a surprising amount of really good Illustrator basics wedged into 400-plus pages. It has an overall summary of what Illustrator is, system requirements, setting up your page, and how to use each tool, along with great exercises for beginners.

The "Wow" book goes on to explain the basics of drawing and coloring, using brushes and symbols, managing and using layers and appearances, working with type, making compound paths and shapes, and finally, using Live Trace (which turns raster images into editable vector paths) and Live Paint (which allows you to paint those vector graphics as if you are painting them by hand). And then, the "Wow" book just rockets off up the steep learning curve of using blends, gradients, transparency, masks, 3D effects, mesh, and beyond, which I admit, I am not anywhere near understanding or managing, much less mastering! But along the way, there are those great illustrations to lead you on and make you want to learn, practice, and become an Illustrator (with a capital "I").

0 of 0 people found the following review helpful.
Extensive illustrations and workbook!
By Maestro
Very extensive book of Illustrator's vast tools! Go to book for illustrators and others who use Adobe Illustrator CS2l and beyond!

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[G740.Ebook] Download PDF The Little Red Book, by Anonymous

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The Little Red Book, by Anonymous

Designed as an aid for the study of the book, Alcoholics Anonymous, The Little Red Book contains many helpful topics for discussion meetings.

This is the original study guide to the Big Book, Alcoholics Anonymous. Filled with practical information for those first days of sober living, this little book: offers newcomers advice about the program, how long it takes, and what to look for in a sponsorprovides in-depth discussions of each of the Twelve Steps and related character defectsposes common questions about AA and helping others, identifying where to find answers in the Big Bookfeatures non-sexist language

  • Sales Rank: #42514 in Books
  • Brand: Hazelden Publishing Educational Services
  • Published on: 1987-09-01
  • Released on: 1987-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.70" h x .50" w x 3.30" l, .23 pounds
  • Binding: Hardcover
  • 160 pages
Features
  • Hazelden Publishing Educational Services

About the Author
Anonymous Anonymous is a contributor for Hazelden Publications including Alcoholics Anonymous Big Book 4th Edition.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Paperback does NOT match the original LRB. Lots of changes/rephrasing done
By Jack Shaftoe
Do NOT get the paperback version of this if you will be using it in a group setting. The text is significantly different than the original hardcover version of the LRB. I learned this on the first day when my book was somewhat different than what people were reading aloud. Seems that somebody tried to "improve" it, but what they did is make it a different book.

Worth the extra few bucks to have the same text as everyone else.

3 of 3 people found the following review helpful.
Back to Basics
By Irreverent Reverend
I am reading this book for the second time with one of the women I sponsor in AA. We read it cover to cover the first time and found it so deep in content, that we had to read it again. We are almost thru and have committed to make it a "three-pete". Anyone who is interested in understanding the disease of alcoholism or who has read the Big Book of AA and wants supplementary support should invest in this book.
It's a must read!

0 of 0 people found the following review helpful.
Two Stars
By Carla R Russell
I ordered the wrong book. Willing to sell it!

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Minggu, 18 Mei 2014

[B469.Ebook] Ebook Free From Master Student to Master Employee, by Dave Ellis

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From Master Student to Master Employee, by Dave Ellis

Learn how to take the skills you use in the classroom and apply them to the workplace! Through interactive journal entries, hands-on activities, and articles specific to career readiness and workplace development, this text will help you gain the qualities you need to go from being a master student to a master employee. A focus on transferable skills that you can take from your classes to your career helps you develop the top skills employers look for in their employees. Tools like the Discovery Wheel, Discovery and Intention Journal, Master Student Profiles, Power Process articles, and the Kolb Learning Style Inventory deepen your knowledge of yourself within the classroom and help you prepare for success in the global workforce.

  • Sales Rank: #1306055 in Books
  • Published on: 2016-01-01
  • Original language: English
  • Dimensions: 10.50" h x 8.25" w x .50" l, 1.68 pounds
  • Binding: Paperback
  • 351 pages

Review
"This textbook is an excellent resource for identifying and developing transferable skills … that employers are most seeking, aside from job-specific skills, and that students absolutely need for academic success, such as communication and collaboration."

"My students love having the book even after the course is over!"

About the Author
Dave Ellis is a leadership coach, author, educator, and philanthropist. He is a respected lecturer and electrifying workshop leader who has captivated audiences worldwide since first sharing his principles in 1979. Ellis got started in education in 1976, when he taught junior high school math. After getting a master's degree in mathematics, he taught computer science for six years at National American University, where he became Assistant Dean of Student Services. In 1979, he designed a course to improve student retention and then traveled the country for a decade conducting workshops for teachers on ways to improve student retention and test scores. He began training coaches in 1983 and started a public course for coaches in 1993. He puts into practice the principles he teaches, utilizing his remarkable system in his own life. His friends and colleagues often describe him as the happiest person they know with an amazingly wonderful life. He is president of Breakthrough Enterprises, a publishing and consulting company, as well as founder and president of The Brande Foundation, a nonprofit organization offering assistance to organizations working toward world sufficiency, environmental integrity, human rights, and personal transformation. Ellis has contributed millions of dollars to the work of his foundation and other organizations. You can visit Ellis's website at http://www.daveellisleadership.com. Ellis resides in the San Francisco Bay Area with his wife Trisha. They have four daughters and four grandchildren.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Purchased for an Introduction to Higher Education class. I've ...
By AllieLaw
Purchased for an Introduction to Higher Education class. I've been a college student since high school as I took a years worth of college courses as a high school student. This book definitely gives higher education a new perspective.

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Selasa, 13 Mei 2014

[C260.Ebook] Ebook Free Van Gogh and God: A Creative Spiritual Quest (Campion Book) [Paperback] [2002] (Author) Cliff Edwards, Henri J. Nouwem, Henri J. M. Nouwen

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Van Gogh and God: A Creative Spiritual Quest (Campion Book) [Paperback] [2002] (Author) Cliff Edwards, Henri J. Nouwem, Henri J. M. Nouwen

  • Sales Rank: #8685673 in Books
  • Published on: 2002
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[W499.Ebook] PDF Ebook The Inner Temple of Witchcraft: Magick, Meditation and Psychic Development (Penczak Temple Series), by Christopher Penczak

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The Inner Temple of Witchcraft: Magick, Meditation and Psychic Development (Penczak Temple Series), by Christopher Penczak

Explore your Inner Temple―your personal sacred space where there are no boundaries and all things are possible. With study, dedication, and practice, the lessons and exercises in this book will empower you to transform the repetitive rigors of the daily grind into a witch's web of magickal experiences.

The Inner Temple of Witchcraft is a thorough course of education, introspection, meditation, and the development of the magickal and psychic abilities that are the birthright of the witch. Four introductory chapters present the history, traditions, and principles of witchcraft, followed by thirteen lessons that start with basic meditation techniques and culminate in a self-initiation ceremony equivalent to the first-degree level of traditional coven-based witchcraft.

As you progress through this year-and-a-day course of study, you will explore a wide range of topics that support and inform the dedicated witch:

  • Ancient and modern magickal philosophy
  • Modern scientific theories supporting a new definition of reality
  • "Instant" magick techniques for protection, healing, and serenity
  • Energy work and anatomy, including chakras and auras
  • Astral travel, dreams, and spirit guides
  • Healing techniques for body, mind, and spirit

This book's non-dogmatic presentation encourages an eclectic, personal approach while providing a strong foundation for the practice of witchcraft and magick. Develop your psychic abilities and practice potent magickal techniques as you explore the source of every witch's power―the temple within.

Winner of the 2003 Coalition of Visionary Resources (COVR) Award for Best Magic Book

  • Sales Rank: #143235 in Books
  • Brand: Unknown
  • Published on: 2002-11-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 7.50" w x 1.00" l, 1.56 pounds
  • Binding: Paperback
  • 352 pages
Features
  • .
  • The Inner Temple of Witchcraft: Magick, Meditation and Psychic Development (Penczak Temple Series) [Paperback] Christopher Penczak (Author)
  • DIVINELY BRAND NEW !!! As you progress through this year-and-a-day course of study, you will explore a wide range of topics that support and inform the dedicated witch: Ancient and modern magickal philosophy - Modern scientific theories supporting a new definition of reality - "Instant" magick techniques for protection, healing, and serenity - Energy work and anatomy, including chakras and auras - Astral travel, dreams, and spirit guides - Healing techniques for body, mind, and spirit This book's non-dogmatic presentation encourages an eclectic, personal approach while providing a strong foundation for the practice of witchcraft and magick.
  • Develop your psychic abilities and practice potent magickal techniques as you explore the source of every witch's power--the temple within. Winner of the 2003 Coalition of Visionary Resources (COVR) Award for Best Magic Book

From Library Journal
These two new titles from Llewellyn focus on witchcraft, or Wicca, a cluster of religious rituals and beliefs deriving from ancient European polytheisms or paganisms. The author of seven books on witchcraft, Grimassi is a practicing Italian witch (a strega) who has researched the history and theory of witchcraft back to antiquity, with a view to recovering and preserving teachings and lore. As a result, the book is primarily a historical study of various European witchcraft traditions. Even when considering magickal techniques for the focusing of natural power or discussing methods of psychic development, the author takes pains to cover their historical development. While Grimassi's book will appeal more to scholars of religion, Penczak's book will appeal to believers and interested casual readers. An active witch and teacher of modern neo-Paganism, Penczak teaches classes (mainly in New England) on witchcraft and various other New Age practices such as reiki, shamanic journeying, and past-life regression. His book aims at using Wiccan techniques (generally termed "Magick") to aid in personal growth. Accordingly, after a brief history and some basic theory of Wiccan spirituality comprising four chapters, there follow 13 lesson-chapters on techniques of spiritual growth, each followed by appropriate exercises. A minor criticism: some of the material discussed, while probably hermetic or occult in origin, is not ordinarily considered Wiccan but pertains to other religious traditions. Astral travel, for instance, is more often a feature of Shamanism, while chakras are a part of yoga. Both books provide a useful introduction to modern witchcraft and are recommended for both academic and public libraries, particularly those with substantial religion collections.
James F. DeRoche, Alexandria, VA
Copyright 2002 Reed Business Information, Inc.

About the Author

Christopher Penczak is an award-winning author, teacher, and healing practitioner. He has studied extensively with witches, mystics, shamans, and healers in a variety of traditions from around the world to synthesize his own practice of magick and healing.

Formerly based in the music industry, Christopher was empowered by his spiritual experiences to live a magickal life, and began a full-time practice of teaching, writing, and seeing clients. He is the author of the award-winning Temple of Witchcraft series: The Inner Temple of Witchcraft, The Outer Temple of Witchcraft, The Temple of Shamanic Witchcraft, and The Living Temple of Witchcraft Volumes 1 and 2.

His other books include City Magick (Red Wheel/Weiser), Spirit Allies (Red Wheel/Weiser), Gay Witchcraft (Red Wheel/Weiser), Magick of Reiki, Sons of the Goddess, Ascension Magick, Instant Magick, The Mystic Foundation, The Witch's Shield, The Witch's Coin, and the forthcoming The Witch's Heart. Christopher Penczak resides in New Hampshire. Visit him online at http://www.christopherpenczak.com.

Excerpt. © Reprinted by permission. All rights reserved.

Ask a Witch

What is a witch? What is witchcraft? These two questions don?t have easy answers. The word witch is a very emotionally charged word, bringing up conflicting images across the centuries. It is hard to understand which image, if any, is correct.

For most of the Western world, the word witch evokes the villain of many fairy tales. We watch the old hag giving the poisoned apple, brewing harmful potions, eating children, and casting curses. At Halloween, stores sell decorations of witches, old ugly women with green faces and pointed hats riding around on broomsticks. Although these are familiar portraits, they are not the first. Because of humanity?s fear of that which is different and mysterious, the witch was resigned to the world of children?s stories, to make the folk stories of witchcraft impotent from the realm of make-believe. If only children believed in witches, then the power of the witch would no longer be a reality, but a fantasy. Unfortunately, fictionalizing witchcraft was not the only way humankind dealt with its fear.

If you turn back a few hundred years, you can see the word witch all across the records of one of Europe?s greatest holocausts, the witch trials. Men and women were persecuted and killed for being different. Some call it the Burning Times, because many were put to death by fire, burnt at the stake. Typically, history books gloss over this particular bit of history, but it is every bit a part of us, as relevant to our modern cultures as wars of conquest.

At the top of the list of victims were those accused of practicing witchcraft. The ruling powers of the time had their own ideas about witchcraft, spreading stories of black masses, sacrifice, and contracts in blood signing souls over to the Devil. These stories are the roots of the children?s fairy tales. The vast majority of the condemned were not practicing ?true? witchcraft. Some held the teachings of the wise women and cunning men of the tribes, a knowledge of healing herbs, remedies, midwiving, and simple charms. We call such skills old wives? tales, but they have endured because there is truth to them. We don?t know how many of the accused and condemned were actually practicing what is now called the Old Religion, the way of the witch.

If you turn back even further, to cultures whose histories were not often written down, you find a different kind of witch. This witch was not shrouded in the darkness of fear and fairy tales, but in the darkness and light of the Goddess. This witch was revered as a healer, teacher, leader, and wise one. The image of the witch inspired the same reverence that a priest or minister does now in modern culture, for the ancestors of modern witchcraft were the priestesses and priests, the seers and advisors living a spiritual life by tuning into the forces of nature, the tides of the seasons, and the cycles of the Moon. They held a kinship with the plants and animals and, in essence, all life. Their teaching and histories were kept in the oral tradition, holding the myths and magick of the culture.

Modern witches focus on this particular root in the witchcraft tree. Those claiming the name and title of witch are truly reclaiming and building on the image of the witch from these ancient days. If you really want to know what the words witch and witchcraft mean as we move into the next century, look at the growing movement of modern witches.

If you ask a witch what he or she means by the word, you will get as many definitions as there are witches. And yes, witches can be both women and men. I?m a man and identify myself as a witch. Male witches are not called warlocks. The word warlock can be traced from Scottish, Old English, Germanic, and Indo-European roots and is now generally regarded to mean ?deceiver? or ?oath breaker? to those involved in the craft. Such a title was probably associated with witchcraft by those who wanted to defame the practice.

When I began my journey into this wonderful world, I was taught that the root of the word wic, or wicca, means ?wise,? for witches were the keepers of the wisdom, evolving into the images of wise women and wizardly men. Another definition was ?to bend and shape,? meaning those who practiced witchcraft could bend and shape the natural forces to do their bidding, to make magick. The word witch is actually considered to be Anglo-Saxon in origin, and some feel that only those who are practicing European traditions, or more specifically Celtic, Saxon, or Germanic traditions, have the right to claim the title witch. The entomology of the word can possibly be traced back to Sanskrit and the earliest Indo-European languages, although this could be a popular folk entomology used by many modern witches. The Middle English word wicche is traced back to the Old English wiccan, meaning ?to practice witchcraft.? Male and female witches were distinguished through the words wicca and wicce, respectively. In Middle High German, wicken means ?to bewitch or divine the future.? In Old German, the word is traced to wih, meaning ?holy.? From the Old German to Old Norman, we have the word ve, meaning ?temple.? Notice an interesting shift from the W sound to the V sound, but notice the similar shape of the letters. The letter double U actually looks more like double V in our alphabet. In French, the letter is called doublevay. The further back you go, the further away you get from the stereotypical witch and to a word of sacredness and spirituality. Now you are getting to the true meaning of witch.

In modern English, witch is used to refer to both men and women. Wicca refers to the modern revival of witchcraft. After the witch trials and persecutions, what remained of the teaching went underground. Other teachings were lost forever, but the practices were revived and the surviving traditions came to light in the twentieth century. In several modern traditions, witchcraft refers to the practice and art of the craft, such as spells, while the religion is known as Wicca. Though you can make a strong distinction between the definitions of witch and Wiccan, or Witchcraft and Wicca, most practitioners accept both words and identities. If you are not sure what to call someone, ask them or see how they refer to themselves.


The Science

One of the first definitions I learned from my early teachers, trained in the Cabot tradition, was ?Witchcraft is an art, science, and religion.? A witch is one who ?lives the art, science, and religion of witchcraft.? You might find this definition strange, as did I, because it brings together some seemingly conflicting ideas. This definition shocked me, because I considered myself a man of science. I was studying chemistry and probably would have pursued it if my experience with magick hadn?t inspired me to pursue my more creative side. At the time, I was very much a ?prove it to me? kind of guy, giving no one an inch unless they could back up their statements. And I found in my witchy friend someone who could. She explained to me the theories behind spells and psychic powers. I wasn?t sure I agreed, but it did intrigue me enough to not dismiss it as ?New Age kookiness.? Then my friend introduced me to one of the most advanced scientific ideas I had encountered at the time, quantum physics. I didn?t understand how physics and witchcraft were related until she drew corollaries between ancient philosophies and modern, cutting-edge science. From her viewpoint, she was waiting for modern science to catch up to the ancient truths. The more I learn, the more I am inclined to agree.

For the longest time, I ignored the other facets of the definition of witchcraft, namely art and religion. I focused on the science of the craft. I looked at witchcraft as an experiment. The experiment yielded wonderful results, but I resisted the other meanings of the tradition. Regardless, they led me to explore myself and my spirituality.

The Art

Witchcraft is an art. It is a system based on the cycles of life. Life is change, plain and simple. Change encourages new expressions of the same patterns and energies. Change encourages creativity. Even though two witches can say the same exact words of a spell, each does it differently, each brings his or her own personal nuances, intentions, and inflections. More often than not, witches would probably write their own spells, creating a personal tradition. Each witch works with the same principles based on the science of witchcraft, but they express it quite differently, elevating the craft to a very beautiful art form. The poetry of magick can bring a tear to the eye and evoke our highest emotions. Song, chant, drumming, instruments, poetry, and drama are used in ritual. Whatever the creative expression, no one can doubt that witchcraft is a form of art once they experience it.

The Spirituality

Lastly in our threefold definition, witchcraft is a religion. In fact, it is called the Old Religion, for many trace their tradition?s roots back to the early Mother Earth goddess cults of the Paleolithic era. Since I have been teaching witchcraft I felt the need to change the definition slightly to ?science, art, and spirituality.? The word religion can conjure up some discomfort in those who are seeking witchcraft as an alternative to the more dogmatic religions. Spirituality, to me, carries a gentler connotation to the original meaning of religion. When I say witchcraft is a spirituality, I mean it is a spiritual path. You walk it for nourishment of the soul, to commune with the life force of the universe, and to thereby better know your own life. Misunderstandings surround those new to the path because of television, movies, and other stories. People do not realize that witchcraft is a daily commitment to renew yourself in the cycles of the Earth, to synchronize yourself with the powers of life. It is a path to enlightenment. Living life as a witch is no easy task.

Certain spiritual aspects of witchcraft set it apart from other traditions. First, it is a nature-based spiritual practice. Divinity in all things is recognized, from the land, water, and sky, to plants, animals, and people. All material things are seen as an expression of life, as the divine. Witches are often involved in environmental reforms and animal-rights groups because of this belief.

Witches are polytheistic, meaning we worship more than one deity. We recognize the spirit of life running through all things, but believe it expresses itself through a multitude of faces. I like to think of it as looking at a giant, brilliantly cut diamond with many facets shining, each an expression of the one diamond.

Witches focus on divinity in the form of male and female energies, gods and goddesses. The prime focus of many traditions is the Great Mother, the primal creative goddess as embodied by the planet Earth. The Goddess is also seen in the Moon, the night, and the oceans. She is portrayed in the modern craft as the Triple Goddess, one who is three in her aspects of Maiden, Mother, and Crone. These faces correspond with the changes in the Moon and seasons. The Goddess? energy is vast, portrayed as loving, kind, and life giving at certain times, while dark, warrior-like, and vengeful at others.

Her consort, the God and Good Father, has been depicted as the sky, the Sun, and vegetation, or as the animal lord. Like the Goddess, the male aspect of divinity has many faces. He is warrior and protector, king and judge. The God can reveal the secrets of magick and illumination or surround you with darkness to force you to face yourself. The God is usually dual in nature, in the form of the Lord of Light and the Lord of Darkness, though some of his images cannot be put into these categories. He presides over the year as the life giver in the fertile months and the life taker in the waning year.

From these two beings spring all the deities of myth. Groups of goddesses and gods from a particular culture, called pantheons, were created. The pantheon we are most familiar with in the West is the Greek, taught in classical mythology classes and found in many modern reinterpretations. The Greek and the later Roman pantheons were not the only ones, nor the first. The ancient Egyptians, Sumerians, Celts, Norse, Africans, and Hindus all had their own pantheons. Each had some type of mother goddess and father god. Then the subtle differences became more distinct. Each had deities to preside over different realms of the earthly domain. One was for the oceans, and another for the sky. Gods and goddesses would rule the Underworld, the sky kingdom, agriculture, animals, healing, the Moon, the Sun, stars, travel, poetry, and divination.

In psychological terms, we call these common visions archetypes. Archetypes are primal images that can be found across many different cultures. They exist in our collective consciousness. Psychologist Carl Jung popularized the term archetype, but they existed far before his identification. Each culture had individual names for an archetype, as represented by a different goddess or god. Each culture wove stories and myths involving this being, but the basic concept is the same. To those who work with the archetypes, they are living, conscious energies, beings of great power. Modern witches understand the concept of archetypes, but know these powers through personal, spiritual experiences. The common belief is that archetypes are primal beings of an almost unknowable nature, but they express themselves through god forms, the individual descriptions and personalities of the gods of myth. The god forms act like a mask. The primal mother archetype exists without borders, but she expresses herself as Gaia in the Greek tradition, Danu in the Celtic tradition, Isis to the Egyptians, and Pachamama to the Incans.

Most mainstream religions, particularly the Judeo-Christian traditions, are monotheistic, acknowledging only one god: theirs. Some feel these traditions focused on the masculine vibration of the divine and saw it as the one and only source of life. In our diamond analogy, they are looking at the brilliance of the whole diamond, but are blinded to look at the individual facets. Or they are fascinated by one facet of the diamond, one god, and exclude all else. The spiritual ancestors of modern witches were in a position that seems unique to us today. Because of their polytheistic nature, they could recognize the gods of another tribe, land, or culture as different expressions of their own gods. They could see the diamond as a whole as well as the individual facets. As we look to the Great Spirit at the center of the diamond, witches remember that we, too, are facets of the diamond. Like the trees, oceans, and animals, we are expressions of the divine, the Goddess, God, and Great Spirit.


The Healer

Another great definition of witch is ?healer.? In the ancient cultures, people went to the priestesses and priests for healing. At the time, healing encompassed much more than our modern medical profession. Modern medicine is wonderful in many ways, but in these ancient times, healing was a process involving the mind, emotions, and spirit as well as the body. In short, healing was an energetic process. We are now coming full circle with the rise in popularity of holistic and alternative treatments. A healer was one to counsel, advise, and minister to the spiritual balance of the individual or tribe, as well as do ritual, divination, and hands-on healing. You will probably find many witches now involved in the healing arts, traditional or otherwise, because helping others is such an important part of the practice of witchcraft.

The Walker

The last definition of the word witch that I will present to you goes hand in hand with the healing arts. It is also my favorite identity. A witch is ?a walker between the worlds.? This was the first hint I got at the rich shamanic tradition found within the teachings of witchcraft.

Due to a revival of interest in Native American practices, many people associate the word shaman with the medicine man of a tribal people. That is true. Shamans are spiritual leaders, but that is not the entire picture. The term originated in Siberia, but has been applied to native practices throughout the Americas and more loosely to practices across the world. The shaman believes in nonphysical, spiritual realms and learns to send his or her spirit to such realms. In these worlds, one can retrieve information and healing energy, and commune with spirits. The shaman ministers to his or her people through this ability, to effect healing of the mind, body, and spirit.

Witches, too, believe in nonphysical realms. They believe in the physical and a multitude of spiritual dimensions. Witches hone their abilities to pierce the veil and travel to these dimensions, where they speak with goddesses, gods, and spirits. Like the shamans, they are expected to remain grounded in the material world with responsibilities to their people, yet keep one foot ever ready to enter the spiritual world. They are bridges between the worlds, seeking to bring their people into greater partnership with the divine. The native people in Siberia and the Americas remained more tribal and retained a certain amount of reverence for these shamans, even in the modern era. As the European people became less tribal, they stamped out their very own shamanic traditions, the practices of the witch. That fear of spiritual power, of the unknown, of mysteries in a culture with a growing patriarchy, turned the image of the witch from a priestess and healer into a monster of the night.


The Weaver

To me, the words witch and witchcraft are wonderfully all-encompassing terms. They evoke a sense of humanity?s mystical past and a hope for the future. Whenever someone, as an individual or as a culture, sought to understand spirit through the cycles of life, honored the divine as being both masculine and feminine, recognized the Earth and sky, quieted themselves enough to hear the soft inner whisper, and took an active partnership with nature, they were practicing witchcraft. Not everyone would agree with that; many tribal traditions would not ever call themselves witches, but it is my personal feeling that such traditions are all practicing the same craft, regardless of the name, place, or time. It is only through an unfortunate period of history that the words witch and witchcraft became maligned. Without this slander, I think the word witch would be translated into more languages as ?healer,? ?teacher,? ?shaman,? and ?wise one,? rather than ?curse bringer.? Witches weave all these threads together in the modern traditions.
The most important aspect of this tradition is the individual?s sovereignty. Each practitioner is his or her own priest or priestess. Teachers, elders, and healers are respected and can help you on the path, but ultimately witchcraft is about your own personal, individual relationship with the divine. Through such training you have the ability to perform your own spiritual rituals and seek guidance. To my friends still in the world of Catholicism, I explain that we are not only our own priests, but also our own popes. We have the last word on what is correct and good for us, as well as the responsibility of living with those decisions.

I had lunch with a student and friend who told me she was ?finally okay with the W word.? She was drawn to take my classes, cast spells and circles, and basically perform all the rites of a witch, but always had difficulty with that word. She is a great healer, using conventional massage therapy with both reiki and shamanism. She had been giving psychic readings before she had any formal training in the area. She didn?t claim the word witch as her own, and that was fine with me. It?s not for everybody. But she seemed so bothered by the fact, and she didn?t know why. We speculated about past-life persecution for being a witch, but she didn?t explore it further. She came to the conclusion that she didn?t want to be limited by the word witch. There are so many things to do and explore that she did not want to settle for being ?just a witch? when she could try everything. I could understand her sentiment, but I never thought of myself as ?just a witch.?

Almost a year later, we had lunch and she told me she was coming to terms with the word witch and, in my opinion, the true meaning of the word. Even if we learn all these definitions, sometimes our own preconceived notions and prejudices and those of society do not allow the real meaning to absorb into our psyche. In some ways she saw the role of witch as something that could pigeonhole her into an expected role and tradition, without any freedom or change to it. There is a stereotype even in the pagan world that a witch has to wear black all the time, love dark gothic music, and take things very seriously. Hopefully that stereotype is dissolving away, with all the others. To me, witchcraft has given me a frame of reference to experience the world by being open to all possibilities. It has also taught me to look at things practically, to remain grounded in timeless philosophy while still open to modern interpretations. The eclectic witch borrows from many cultures. These cultures do not necessarily have to be Celtic or even European to be a part of the modern craft, even though some traditionalists feel that witchcraft is exclusively Celtic. We come from a tradition filled with the mysteries of the past, but now witchcraft generally encourages one to find the path that works for the individual. All our other ?hats??healer, therapist, herbalist, shaman, mother, brother, priest, priestess, environmentalist, counselor, researcher, writer, psychic, and teacher?all fit nicely under the ?hat? of witch, for witches are all these things, too. Nothing is prevented or forbidden. The path of the witch is truly the path of knowledge and, more importantly, wisdom. It changes and adapts as new information is discovered. Witchcraft is a living religion.

As you can see, the witch has many faces and wears many hats, both woman and man, old and young. The witch is a symbol of darkness and fear to many still, but is really a patron of wisdom and magick. Each practitioner in turn has a personal meaning. If this is all brand new to you and you feel the call of the art, science, and spirituality of the Goddess and God, you will be called on to answer these questions: What is witchcraft? What is a witch? And most importantly, what does it mean to become a witch? If you want to explore the foundations of the inner temple, you are already walking the path of the witch, so ask yourself how you would define the word witch.

Most helpful customer reviews

15 of 15 people found the following review helpful.
Good
By Emily
It's a wealth of information, but it definitely leans more towards the Gerald Gardner Wicca branch of Witchcraft. Also, as someone who does solitary work, there were many things listed in the practice sections that were supposed to be done in groups.

So in short, if you don't follow a Wicca path or if you don't work in a group setting then this may not be the book for you. HOWEVER, the information it holds is useful and I thought it was a good read.

4 of 4 people found the following review helpful.
Amazing difinitive "how to" guide
By D. Destefano
This book is wonderful. I wish I had discovered it much earlier in my exploration of magick and witchcraft. I've been studying the occult on my own off and on for the past 14 years or so, but haven't practiced much. This is mainly because while I read works by a lot of different notable authors, Scott Cunningham, Raven Grimassi, Edain McCoy, Orion Foxwood, Janet and Stewart Ferrar, Robin Artisson, I never read anything that fully explained and gave instruction on the energy manipulation behind magick. This book did just that.

So many other books gave instructions on how to perform spells and rituals but not really how to make them work. I always felt like I was just going through motions and saying words without actually connecting to any real power. I have a fairly logical scientific mind so when I didn't see results I got discouraged. This book is amazing. It explains how and why magick works in a clear, informative, and accessible way.

Not only does it contain alot of great information, but whats great about this book (and Penczak's Temple Series in general) is that provides structure, it breaks everything down into specific lessons and execises which when you're a solitary practitioner really helps you get into a routine practice schedule. I know I sound corny, but the idea of being a solitary practitioner has always felt lonely to me. I've always wished I had a teacher to guide me and I feel like I found one with this book (again, corny). I'm even considering taking the online course through Penczak's templeofwitchcraft.org

9 of 9 people found the following review helpful.
A complete newbie to Magick is thankful for this work
By Midwest Man
Penczak hands out the goodies!

When I purchased this book last year, I was a complete newbie to Magick. I purchased this book because, while researching which books to buy to read more about Magick, I kept running into reviews by different people on different authors that said, "Read Penczak's Temple Series books first."

So, I bought it to find out why.

My experience of Temple #1 was as follows:

1. Penczak expects people to nail down their Intention to become a Practicioner. He favors the flavor of title of "Witch", but states that he supports ALL seekers to magick, and tells a little about his own skepticism coming to the practice.
2. Temple #1 starts off with the Intention Ritual: a low-grade ritual designed to get you actually performing... something... so you have a) an experience to anchor your Intention, and b) so you really commit, or not.
3. He gives 13 lessons, with "homework", on the various internal structures to modern magickal processes. These were more than satisfying for me, because I was (as aforementioned) a complete novice. Penczak showed me a lot to be resonant with. I did all the lessons, went through all the exercises, and learned a great deal.
4. Penczak wrote an Exit Ritual, one where you review your Intention, and you give yourself an Initiation into the Practice.

The lessons cover magickal viewpoints, meditation techniques, the interplay between science and magick, magickal defense, color sensitivity, identification with various Energies, Journeying to your Inner Temple, working with Elementals, a short introduction to Healing, the idea that beginning a new life path is equal to a new birth, and your self Initiation.

After I completed this training, I purchased other books. They covered some of the material, had poorer examples and exercises, and half the books merely talked about magickal processes with no actual rituals.

They say, "You don't know what you have until it's gone." Well, my status of Novice is gone, and I'm glad I had "The Inner Temple of Witchcraft" to see me through it effectively.

Finally, about "Religion": Mr. Penczak does NOT promote any religion. Not even Wicca! He wrote with the premise that someone would use his exercises to become a modern Witch, but actively wrote in his viewpoint that, as long as working Magick is your goal, you could do it and be ANYTHING. He does use biblical scripture from time to time, but I felt it was only to help people with a nominal Christian background (like himself, like me) feel O.K. about studying and doing this stuff. It helped me.

Thank you, Mr. Penczak, for helping me out of being a Neophyte into being an Initiate with this work.

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Jumat, 09 Mei 2014

[V659.Ebook] Get Free Ebook Building Kitchen Cabinets Made Simple: A Book and Companion Step-by-Step Video DVD, by Gregory Paolini

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Building Kitchen Cabinets Made Simple: A Book and Companion Step-by-Step Video DVD, by Gregory Paolini

Building Kitchen Cabinets Made Simple: A Book and Companion Step-by-Step Video DVD, by Gregory Paolini



Building Kitchen Cabinets Made Simple: A Book and Companion Step-by-Step Video DVD, by Gregory Paolini

Get Free Ebook Building Kitchen Cabinets Made Simple: A Book and Companion Step-by-Step Video DVD, by Gregory Paolini

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Building Kitchen Cabinets Made Simple: A Book and Companion Step-by-Step Video DVD, by Gregory Paolini

Cabinets come in many styles and finishes, but the one thing they have in common is how much they can influence the overall appearance of a kitchen. A run of new cabinets can completely transform a space -- and add significantly to the value of a home. It's no wonder they can cost so much. But now they don't have to.

Kitchen Cabinets Made Simple demystifies kitchen cabinet construction and makes it possible for the dedicated do-it-yourselfer to build new cabinets for a fraction of the cost of buying them. This multi-media approach -- DVD and illustrated book guide -- visually and completely instruct woodworkers throughout the process of building sturdy face-frame cabinets with frame-and-panel doors. It's all in here -- from drawing out a plan and constructing the cabinet boxes to finishing and installation.

  • Sales Rank: #46337 in Books
  • Brand: Tauton Press
  • Published on: 2011-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .39" w x 9.10" l, 1.21 pounds
  • Binding: Paperback
  • 128 pages

About the Author

GREGORY PAOLINI designs and builds furniture and cabinetry from a small shop nestled in the Smokey Mountains, just west of Asheville, North Carolina. He also teaches and writes about the craft and is a frequent contributor to "Fine Woodworking "magazine.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Excellent Reference. Buy it
By HL
This is a great reference book. I also purchased Bob Lang's "The Complete Kitchen Cabinetmaker" book and The New Yankee Workshop Kitchen Project DVD set. I found all 3 essential when building my kitchen cabinets. Here's why.
The Paolini book provides a very good overview as well as a focus on joinery and the mechanics of cutting and assembling. Simple, basic techniques such as pocket hole and screwed butt joints are covered. These techniques may not necessarily be the "best" techniques but the title of the book does set the expectations; "Made Simple". It's a good introduction. The Paolini book is illustrated with color photos and the DVD video provides a lot of information that can't be shown as well in photos or words. I agree with the other reviewers, the DVD is just as good, if not better than the book.
The Bob Lang book is more focused on the details of cabinetmaking. It does have a good overview as well, face frame vs. frameless, joinery options, material choices, etc. However, I found that the detailed dimensioned drawings the best part of the book. He also gives his opinion of what dimensions work well for him, such as face frame rail and stile widths and drawer dimensions. Color photos would be a big improvement over the black and white photos, but the photos are clear.
I would recommend buying both books. While there is some overlap in information there is sufficient detail in each book to make the purchase worthwhile. The Norm Abrams DVD was great but a bit expensive at $100.

5 of 5 people found the following review helpful.
Excellent for learnig to make cabinets
By Douglas Thomas
I have been woodworking as a hobby for about 15 years now and have completed many projects. Cabinets have been among the projects that I have built.
I liked this book because it was so back to the basics and all instructions were clear and concise. I am always open to different approaches and making things simple. My need was not for kitchen cabinets, but 2 freestanding cabinets and a computer desk with attached cabinetry for my office. The methods and instructions in this book were helpful.
The video is an added bonus and allows you to see the book in motion.
This isn’t for you if you are a master craftsman, as you would probably be writing books like this. But, if you are a beginner, or a woodworker that hasn’t built that many cabinets – I recommend this.

13 of 14 people found the following review helpful.
Quick methods for basic cabinet construction
By Not finished yet
This book provides simple methods for cabinet construction. Paolini provides information on how to measure, cut, join, fit and finish the carcass, drawers, and doors.

Pros; the information is well organized and written in a way that can be easily understood. Paolini describes a range of tools that can be used for cabinet construction and provides approachable methods.

Cons; Expect just the basics - there isn't much information about dimensions or design or options, the content is about construction mechanics. Likewise, you'll only get basic information on drawers and doors and finishing. There's just enough content to allow you to build your first cabinets so that you can then learn more about all of these subjects.

I agree with the other reviews about the DVD. Being able to see all of the techniques and steps was very valuable. The video shows all of the steps and information in the book in a way that really helped me understand what is in the book.

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Minggu, 04 Mei 2014

[A579.Ebook] PDF Ebook Mao's Last Dancer, by Li Cunxin

PDF Ebook Mao's Last Dancer, by Li Cunxin

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Mao's Last Dancer, by Li Cunxin

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Mao's Last Dancer, by Li Cunxin

THE INTERNATIONAL BESTSELLER

The extraordinary memoir of a peasant boy raised in rural Maoist China who was plucked from his village to study ballet and went on to become one of the greatest dancers of his generation. 

From a desperately poor village in northeast China, at age eleven, Li Cunxin was chosen by Madame Mao's cultural delegates to be taken from his rural home and brought to Beijing, where he would study ballet. In 1979, the young dancer arrived in Texas as part of a cultural exchange, only to fall in love with America-and with an American woman. Two years later, through a series of events worthy of the most exciting cloak-and-dagger fiction, he defected to the United States, where he quickly became known as one of the greatest ballet dancers in the world. This is his story, told in his own inimitable voice.

THE BASIS FOR A MAJOR MOTION PICTURE 

  • Sales Rank: #71793 in Books
  • Brand: Berkley Publishing Group
  • Published on: 2005-03-01
  • Released on: 2005-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.05" w x 5.96" l, 1.10 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Berkley Publishing Group

From Publishers Weekly
This is the heartening rags-to-riches story of Li, who achieved prominence on the international ballet stage. Born in 1961, just before the Cultural Revolution, Li was raised in extreme rural poverty and witnessed Communist brutality, yet he imbibed a reverence for Mao and his programs. In a twist of fate worthy of a fairy tale (or a ballet), Li, at age 11, was selected by delegates from Madame Mao's arts programs to join the Beijing Dance Academy. In 1979, through the largesse of choreographer and artistic director Ben Stevenson, he was selected to spend a summer with the Houston Ballet—the first official exchange of artists between China and America since 1949. Li's visit, with its taste of freedom, made an enormous impression on his perceptions of both ballet and of politics, and once back in China, Li lobbied persistently and shrewdly to be allowed to return to America. Miraculously, he prevailed in getting permission for a one-year return. In an April 1981 spectacle that received national media attention, Li defected in a showdown at the Chinese consulate in Houston. He married fellow dancer Mary McKendry and gained international renown as a principal dancer with the Houston Ballet and later with the Australian Ballet; eventually, he retired from dance to work in finance. Despite Li's tendency toward the cloying and sentimental, his story will appeal to an audience beyond Sinophiles and ballet aficionados—it provides a fascinating glimpse of the history of Chinese-U.S. relations and the dissolution of the Communist ideal in the life of one fortunate individual. 8 pages of b&w photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 6–9—In 1961, just three years after Mao's disastrous Great Leap Forward, Li Cunxin was born, the sixth son in a family of Chinese peasants who eked out a meager existence on a rural commune. During his childhood he endured unimaginable poverty and hardships and witnessed the shooting of 15 "counter-revolutionaries" by Mao's Red Guards. When chosen to audition for Madame Mao's Beijing Ballet Academy at age 11, ballet became his chance for a good job and enough food for life. Many years of training, two U.S. trips, one premature marriage, and a defection later, Li joined the Houston Ballet as a principal dancer, paving his way to international fame. Although told in a rather bland style—mostly in basic declarative sentences—the information about the country at this time and the danger and angst that accompanied the dancer's decision to defect will be of interest to teens. This Young Reader's Edition of the adult book (Putnam, 2004) gives a much fuller portrait than the author's picture-book version, Dancing to Freedom (Walker, 2008). The black-and-white photos, the abbreviated history, and time line will help students place Li's life story into historical context. With the current interest in all things Chinese, and with the immigration debate in full swing, this is a good choice, both to promote an understanding of Chinese culture and to provoke a discussion about the issues facing today's immigrants.—Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“[A] fascinating memoir…told simply but passionately, with subtle humor and unguarded emotion.”—The Houston Chronicle

“Mix Billy Elliot with Torn Curtain and you’ll have some of the tale in very broad outline…well-paced…full of adventures.”—Kirkus Reviews
 
“Fascinating reading…unfolds with honesty, humor, and a quiet dignity. This book has wide appeal, for it concerns not only a dancer’s coming of age in a turbulent time but also individual strength, self-discovery, and the triumph of the human spirit.”—Library Journal

“The facts of his life are astonishing on their own, but what makes Li Cunxin’s engrossing autobiography so captivating is his enthusiastic retelling of every twist and turn.”—Vogue (Australia)

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Moving Story with a Unique Perspective
By Adrienne
This is the inspirational tale of a boy/man who trains as a dancer in China under Mao’s communist regime. Told in a straight-forward, unembellished style, it presents countless fascinating details of daily life and relationships that present a vivid picture of what the author experiences. The account is especially moving because it offers insight into the lovable character of people once considered enemies by the United States. Li’s peasant family endures brutal hardship, working long hours every day, suffering extremes of weather and lack of food, and yet they are quite resigned and able to enjoy each other and the good they have. Even the broader community seems to rejoice with Li’s successes rather than wallow in self-pity or envy. The story evokes sympathy for people who suffer under communism, but are also vulnerable to official propaganda, as we all are.

0 of 0 people found the following review helpful.
China
By downtownpsb
This book truly makes you realize how difficult it is for many people to manage to get enough food to feed their families in China. It makes you realize how good it is in America and how many freedoms we have. Well told story.

7 of 7 people found the following review helpful.
Mao's China through the eyes of a rural boy.
By acomon
This book is one of those that you cannot put away till the end. Li Cunxin writes in a simple way, but with that rare skill of keeping you baffled through all its chapters. It traces Cunxin early life in a peasants' commune in rural China, suffering abject poverty, to his eventful obligatory trip to Beijing, to study ballet at the Beijing Ballet Academy, under China's strict communist discipline and rules, where he completes 7 years of training. Initially Cunxin hated ballet, but after several years, he learned to appreciate its beauty and artistic value. That turning point made him work harder, and the rest is history: he became one of the best dancers of the world of his time. It is a very touching book. Also very interesting because besides Cunxin' personal life as it relates to the ballet world, one learns about Mao Tse Tung's Cultural Revolution in China through the eyes of a poor peasant child who turned into an international star, not without before having caused a diplomatic conflict between China and USA. I recommend this book for all ballet lovers and to those who have an interest on China's history under Chairman Mao's communist rule and its impact on China's education and social life of that time.

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