Kamis, 28 Maret 2013

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Alex and Me

  • Published on: 2009
  • Binding: Paperback
  • 240 pages

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Senin, 25 Maret 2013

[W310.Ebook] Download PDF Skills and Drills: For the Practical Pistol Shooter, by Ben Stoeger

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Skills and Drills: For the Practical Pistol Shooter, by Ben Stoeger

This book contains the live fire training methods of Ben Stoeger. Drawing on his experience at the top levels of competition and his experience teaching others, he has refined his methodology for years. This book is the culmination of those ideas and experiences. This is the most detailed and involved live-fire training manual ever produced for the USPSA/ISPC competitor. This book contains: -A detailed set of drills and concepts to help you take your shooting to the next level -Practice tips to help you get the most out of every single session -A section designed to explain how you are doing it wrong and how to do it better -A series of benchmarks to get you to the top level of shooting -Advice on how to document your progress -Insight on what it takes to train and compete on the super squad -and much more!

  • Sales Rank: #41260 in Books
  • Published on: 2013-12-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .47" w x 8.50" l, 1.09 pounds
  • Binding: Paperback
  • 206 pages

About the Author
Ben Stoeger is a three-time U.S. practical shooting champion. He competed in Athens, Greece on the US pistol-shooting team in the 2011 World Shoot, in which the U.S. took first place. Ben travels the country teaching pistol-shooting classes to the masses at all levels, and has seen dramatic results from his students.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great book for those that are stuck in the middle and want to get better and willing to do the work.
By zed
TLDR version: This book will give you the exact blue print on how to elevate your competition shooting skills, it worked for me and exceeded all my expectations. If you have mastered the techniques in Ben's dry fire training books at home and you are ready to take that next step with live fire training, this is exactly what you need. If you would like more specifics on my results read the long version. I would not really recommend this to a beginner but more towards a mid level shooter who has a few club matches under their belt and has been doing dry fire for a while. If you are a beginner I would direct you to get this book http://www.amazon.com/Dry-Fire-Training-Practical-Pistol-Shooter-ebook/dp/B00QLK3A6Y/ref=dp_kinw_strp_1 instead.

Long version, below is my relatively short journey in the shooting sports so far:

I bought my first gun in 2012 having never shot a gun before in my life. I mastered and got bored shooting paper targets in an indoor range fairly quickly and decided to try the practical shooting sports. I shot my first IDPA match in Aug 2012 and was immediately hooked. I wanted to get better and bought Ben's dry fire beginner books and dry fired my ass off for 2 years while shooting IDPA and USPSA club matches every few weeks. This got me to an SS/EX level in IDPA SSP and B class in USPSA production. This is where I started to plateau hard. I would finish top 6-15 regularly in club matches and never seemed to really get any better no matter how much I dry fire. I would have a top 3 finish in some stages and completely blow others. I just could not find any consistency and my confidence would waver between stages.

I bought Skills and Drills to see what it had to offer and when I first read it I thought it was just an extension of the dry fire books. I didn't have a range where I could do these drills anyway so the book sat gathering dust for a few months until I had an opportunity to take a class with Ben in Feb 2015. At the class Ben was very complimentary of my skills and could tell I was regularly dry firing. He asked me what my training consisted of and I sheepishly admitted I only dry fired daily and shot club matches once or twice a month. He cocked his head to the side and raised an eyebrow at me and kind of hinted that I needed to do live fire training. Ben's class was a huge eye opener for me and I highly recommend that if you have the opportunity and are interested in raising your game to take the the time and sign up for one, but this is not a review of his class.

I realized after taking Ben's class I would need to start skipping some club matches and do live fire training instead. A range nearby now allowed the kind of practice that Skills and Drills required. I decided to practice hard at least once a week for an hour. This is where Skills and Drills came in. The book breaks down every facet of practical competition shooting to the fundamentals and provides insight on each skill and more importantly repeatable drills and standards to grade yourself on and to track progress. I took notes, I worked really hard on the weaknesses that Ben pointed out to me at the class. (This is where the class is invaluable) I strove to hit the times Ben recommends for the core skills and four months later I'm finally able to hit the times regularly.

The following is what I was able to improve in four months:
1) Classifiers:
S&D prepares you to do really well on classifiers since the drills are pretty much broken down classifiers. I regularly shot in the 60-72% range prior to starting live fire training. My last 2 classifiers I hit 85% and 90%.

2) Movement and shooting on the move.
This is the most intimidating and difficult skill for me to practice but S&D has solid drills to work on this. I measured improvement by having two boxes. I shot 2 targets from box A and hauled ass to box B and shot another 2 targets and set that as my par time and compared that to shooting all four targets on the move and beating the buzzer once I got to box B all hits need to be in the A zone to qualify. I can easily beat that par time now with seconds to spare.

3) Stage breakdown and flowing through a stage.
The insights on how to "read" a stage, group targets, how to set up on a shooting area, identifying targets that you need to slow down and focus more on etc are invaluable. S&D has the drills to help you get better at this.

After 4 months of regular consistent practice I shot a club match and placed 4th overall and 1st in production beating guys who regularly wipe the floor with me. I shot a completely clean match where I would normally have 4-8 penalties. I had a stage win on the classifier stage (99-13) with a 9.2652HF beating out A/M/GM even open shooters that normally dominate. Now I probably just got lucky, this was a fluke, and I just had a really good day but I would rather believe that I performed well and had the confidence to stay calm and collected on each stage because I put in the work and followed S&D. You can count me as a firm believer in the Ben Stoeger school of competition shooting.

This is no magic pill, you have to put in the work! So If you want to get better, and are willing to do the work but you're not sure how to, do yourself a favor and buy Skills & Drills now!

8 of 8 people found the following review helpful.
This Book Connects the Dots!
By kurt mantonya
I have been shooting USPSA for a little over two years and strive to find ways to get better. Sometimes I shoot at my level and sometimes one or two levels above. I want to get better and this book along with Ben's other books on dryfire training and other training will help me an you get there...if you become disciplined about your training program.

First off, Ben wants you to succeed and he states that several times in this book but he also punches you in the gut by stating how the reader may be doing their practice wrong and then discusses ways to remedy your practice regimen. Ben tries to diagnose what kind of shooter you want to be. Do you want to be a serious competitor? Do you shoot for the social aspect? Is going to the local range and competing a few times a year ok? All of these are good and well and there is a training program imbedded in this book for any particular shooter.

The meat and potatoes are the drills laid out each with instruction on target layout, procedure, the specific focus and a goal. There are also ancillary goals to most drills to change your practice up. The skills are broken up into sections to zero in on a specific "toolkit" utilized in practical shooting such as Marksmanship Training, Core USPSA Skills, Short Course Skills and Field Course Skills. You do not need a large range in order to practice these skills (it is always nice though).

The content and nuances in the later chapters help you to design your training program. No a specific plan its not laid out there in black and white but rather you have to consider your own situation, your level of commitment and create a program that suits your needs. Ben also dispels the myth that being good at practical shooting requires a lot of money and an enormous amount of ammo to get better. If you have the basic gear and the willingness to train in a manner that Ben describes, you can actually shoot very little live ammo. That is dryfire practice, live fire the drills in this book, participate in your local match to see how you are doing, get better and have fun!

13 of 14 people found the following review helpful.
You must master the basics first.
By Chris Jaronsky
***UPDATE***

I read and reviewed this book 3 years ago. A lot has changed. I was a B class shooter then, but have worked my way up to M class. I can partially attribute this movement upwards to this book. I used it often and it really helped me to improve. I am adding this update because I feel this book is as important, or more important now than it ever was. I just took a weekend class with Ben Stoeger a few days ago. He gave me another copy of this book and stresses that everyone should use it. Yes, I have worn out my original copy and had plenty of notes in the margins as I would keep the original book in my range bag and use it and take notes at practice. Then, maybe about a year ago or more, I took it out of my range bag and stopped using it. I am not sure why, but I did. Well now I am back to using it again. After working with Ben I realized this book still has many skills to teach and improve upon. Yes having him there in person was great, but it really just reinforced that I need to hit these lessons again even harder now to continue to improve. ***4/5/17***

This is probably the best training book I have come across so far, especially if you shoot USPSA. Sometimes you read a book from someone that is at the top of their field and you feel they give you tidbits of information but never really tell you everything. This book is different, I actually believe he is telling us everything he knows. And he knows a lot.

Just reading up til page 12 you will learn quite a bit. Ben dispels some myths, a few that I had believed because that's what everyone said, but after practicing them Ben's way I have seen almost immediate improvement. An example is my draw times on 2 shot Alphas are down considerably. And my accuracy is still great.

Now you are not going to get better just by reading this book, you will have to do the work. A lot of work. But most of it will be done at home on your dry fire range. Uh, you do have a dry fire range, right? You would laugh if you saw all the targets, obstacles, and taped squares I use for shooting boxes in my basement. My main focus in the last two weeks has been 10 minutes of dry fire draws, on the timer, in the morning. Then in the afternoon I do another 10 minutes where I work on reloads, transitions, and moving into boxes while engaging targets. I feel that two 10 minutes sessions a day is easy enough to do, but also helps immensely.

Now what about live fire? Sure you need to do that, but by following his drills and focusing on specific skills for each live fire practice you will actually shoot less but learn and improve more. In the past I have gone to the range and practiced a few drills. Then did some other drills. Then some more shooting. Now I go to the range with a focused plan. No more wasting valuable time and live ammo on anything that is not getting me closer to my goals.

Ben talks in detail about the important things in competition shooting. It is all based on the fundamentals. First you can't shoot if your grip sucks. You must also dry fire enough to the point where you are consistent, where you grip the gun the same way every single time. Where you have drawn it so many times the sight picture automatically comes right up into your line of sight for a fast first shot. You must also pay attention to your muscles, you cannot be fast if you are not relaxed.

Another thing I like about this book is Ben lists dozens of drills, and then gives times you need to shoot for, along with the times you should strive for at different distances. He also talks about why you should do a certain drill. And what your objective and expectations for the drill should be.

Many of the drills in this book are classifiers, or based off classifiers. Now I hear a lot of people say "you should not practice on classifiers because then you will end up as a paper Master", or A, or B shooter, etc. That is a load of crap. They are classifiers because they are a reflection and a tool to measure basic skills. A stage is basically a string of classifiers spread out over a larger area. I have also noticed that some of the people that say this have reached their potential or feel intimidated by new shooters training harder then they do. Not all of them, but a few of them.

Where do you stand?
Are you a new shooter with drive and determination to excel? Then get this book and start putting in the time and effort.
Are you a veteran shooter that has reached a plateau? Did that plateau start about the same time you stopped dry firing, or giving honest effort at improving? Well this book is for you too.
Have you been steadily improving all along? Well there is still a decent amount in this book that can help you too.

Good luck. See you at the match.

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Sabtu, 23 Maret 2013

[I548.Ebook] Ebook Free Speaking of Sadness: Depression, Disconnection, and the Meanings of Illness, by David A. Karp

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Speaking of Sadness: Depression, Disconnection, and the Meanings of Illness, by David A. Karp

"Even though depression has periodically made me feel that my life was not worth living, has created havoc in my family, and sometimes made the work of teaching and writing seem impossible," writes David Karp, "by some standards, I have been fortunate." Indeed, depression can be devastating, leading to family breakups, loss of employment, even suicide. And it is a national problem, with some ten to fifteen million Americans suffering from it, and the number is growing. In Speaking of Sadness, Karp captures the human face of this widespread affliction, as he illuminates his experience and that of others in a candid, searching work.
Combining a scholar's care and thoroughness with searing personal insight, Karp brings the private experience of depression into sharp relief, drawing on a remarkable series of intimate interviews with fifty depressed men and women. By turns poignant, disturbing, mordantly funny, and wise, Karp's interviews cause us to marvel at the courage of depressed people in dealing with extraordinary and debilitating pain. We hear what depression feels like, what it means to receive an "official" clinical diagnosis, and what depressed persons think of the battalion of mental health experts--doctors, nurses, social workers, sociologists, psychologists, and therapists--employed to help them. We learn the personal significance that patients attach to beginning a prescribed daily drug regimen, and their ongoing struggle to make sense of biochemical explanations and metaphors of depression as a disease. Ranging in age from their early twenties to their mid-sixties, the people Karp profiles reflect on their working lives and career aspirations, and confide strategies for overcoming paralyzing episodes of hopelessness. They reveal how depression affects their intimate relationships, and, in a separate chapter, spouses, children, parents, and friends provide their own often-overlooked point of view. Throughout, Karp probes the myriad ways society contributes to widespread alienation and emotional exhaustion.
Speaking of Sadness is an important book that pierces through the terrifying isolation of depression to uncover the connections linking the depressed as they undertake their personal journeys through this very private hell. It will bring new understanding to professionals seeking to see the world as their clients do, and provide vivid insights and renewed empathy to anyone who cares for someone living with the cruel unpredictability of depression.

  • Sales Rank: #270980 in Books
  • Published on: 1997-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.30" h x .60" w x 7.90" l, .73 pounds
  • Binding: Paperback
  • 240 pages

From Library Journal
This sociological consideration of illness and disease in contemporary America comes from a professor (Boston Coll.) who uses his own suffering, treatment, and theory along with reports of 50 others who volunteered to talk with him about their major depressive episodes. Karp writes well, addressing psychological, chemical, and cultural perspectives, with much credit to C. Wright Mills, Erving Goffman, and Arthur Kleinman. Many psychiatrists would agree that too little attention is paid to the nature of the pain and the impact of social context on our definitions of normality and treatment. "Self-help" comes under fire, too, as shallow ideology in a time of advancing anomie. A careful, honest writer, Karp has produced a classic equal to William Styron's Darkness Visible (LJ 8/90) and Clifford Beers's A Mind That Found Itself (1908). Highly recommended for sufferers, would-be healers, and anyone interested in the effects of depression.
E. James Lieberman, George Washington Univ. Sch. of Medicine, Washington, D.C.
Copyright 1995 Reed Business Information, Inc.

Review

"The millions of people who suffer hard and long with excruciating depressions will recognize themselves in these pages....Speaking of Sadness provides an open challenge to wrestle with the difficult questions."--Martha Manning, The New York Times Book Review


"A careful, honest writer, Karp has produced a classic equal to William Styron's Darkness Visible."--Library Journal


"Finally a book from the inside...by a scholar who admits to knowing this aspect of the human condition in his own person and has seen beyond the superstition of the 'medical model,' expressed in the lived experience of real and beautifully articulate people who, like himself, have been there."--Kate Millett, author of The Loony Bin Trip


From the Back Cover
Combining a scholar's care and thoroughness with searing personal insight, Karp brings the private experience of depression into sharp relief, drawing on a remarkable series of intimate interviews with fifty depressed men and women. By turns poignant, disturbing, mordantly funny, and wise, Karp's interviews cause us to marvel at the courage of depressed people in dealing with extraordinary and debilitating pain. We hear what depression feels like, what it means to receive an "official" clinical diagnosis, and what depressed persons think of the battalion of mental health experts - doctors, nurses, social workers, sociologists, psychologists, and therapists - employed to help them. We learn the personal significance that patients attach to beginning a prescribed daily drug regimen, and their ongoing struggle to make sense of biochemical explanations and metaphors of depression as a disease. Ranging in age from their early twenties to their mid-sixties, the people Karp profiles reflect on their working lives and career aspirations, and confide strategies for overcoming paralyzing episodes of hopelessness. They reveal how depression affects their intimate relationships, and, in a separate chapter, spouses, children, parents, and friends provide their own often overlooked point of view. Throughout, Karp probes the myriad ways society contributes to widespread alienation and emotional exhaustion.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Difficult to accept, yet precisely what we need
By Jake Harris
This book lays out the (in my opinion, correct) case that only those who have personally suffered from depression can thoroughly understand or put into words its prolonged, life-consuming grip on the victim. Some might complain it offers little hope, but that's not what someone who has suffered from it most of their life needs to hear anyway. They need to hear that this state of being isn't their fault and that others endure the same mental anguish. Possibly ways to mitigate the symptoms can be explored...but a complete cure is elusive for whatever reason and it's best to not hold out for or put others through false hope for one. I particularly recommend this book to the "intelligent depressed" who have because of the illness struggled to get by, or had aspirations dashed entirely. It can offer closure and self-acceptance. I'd even suggest lending it to relatives who give you a hard time cause they just don't get why someone can't get out of bed, or never shows improved moods.

Unlike short-term or cyclical depression brought on by specific events, for example death of a loved one, most of the 50 subjects are clearly in it for the long haul. Their improvement is negligible, and after countless therapists and prescriptions and even hospitalization, they often evoke nothing but contempt for the medical establishment. Who can blame them? Really though, it's quite difficult for others including therapists to relate, which is why I've found the personal testimonies and the author's insights far more useful than anyone else has been. It can be inspiring at times, such as the few interviewees who found ways to turn their morbid existence into creative outlets, or discovered some greater appreciation for the human struggle. In the end it's hard to not root for all of them to somehow emerge from this malaise.

26 of 26 people found the following review helpful.
Academic View of Illness
By Sharon E. Cathcart
Karp is a sociologist who examines depression from a cultural point of view. Folks looking for a "quick cure" are not likely to be satisfied with this particular outing. However, folks looking to understand how society views those with depression, how folks with depression view society, and how the illness can also impact family members ... this is the place to go. I read this book as part of a medical anthropology curriculum ... an ethnography of an illness ... and found it to be quite enlightening. I have been in and out of treatment for depression myself over the years, and finding that so many people had similar experiences of reconstructing their self-view as a result of the illness was quite useful. Again, this book is definitely not a "quick fix" or "feel good" kind of book ... it's one that looks at the nitty-gritty of one of the country's most prevalent illnesses and examines the minutiae therein.

2 of 2 people found the following review helpful.
Insightful, deep read for the information maniac
By Ford
Really enjoyed this book. It teaches you about so many aspects that come with and are affected by depression. Not a self-help book, but pure information. Insightful, wonderful, deep read. A book for those who want to understand their suffering and don't want to fluff so many books come with these days.

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[B906.Ebook] Get Free Ebook Fundamentals of Modern Manufacturing, Binder Ready Version: Materials, Processes, and Systems, by Mikell P. Groover

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Fundamentals of Modern Manufacturing, Binder Ready Version: Materials, Processes, and Systems, by Mikell P. Groover

Fundamentals of Modern Manufacturing: Materials, Processes, and Systems, 6th Edition, is designed for a first course or two-course sequence in Manufacturing at the junior level in Mechanical, Industrial, and Manufacturing Engineering curricula. As in preceding editions, the author's objective is to provide a treatment of manufacturing that is modern and quantitative. The book's modern approach is based on balanced coverage of the basic engineering materials, the inclusion of recently developed manufacturing processes and comprehensive coverage of electronics manufacturing technologies. The quantitative focus of the text is displayed in its emphasis on manufacturing science and its greater use of mathematical models and quantitative end-of-chapter problems. This text is an unbound, three hole punched version.

  • Sales Rank: #319227 in Books
  • Published on: 2015-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x 1.10" w x 7.80" l, .0 pounds
  • Binding: Loose Leaf
  • 944 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
One of a kind for the level of detail
By Let's Compare Options Preptorial
This magnificent 1,000 page 5th edition of a timeless classic on manufacturing is as much a practical handbook as it is a text. Each page is PACKED with useful formulas, examples, pictures and diagrams solving practical HOW TO problems in manufacturing, from materials science to casting, molding, sintering, welding and much more, including metals, plastics, glass, integrated circuits and far more. There are supposedly only 63 "formal" problems in the whole text, but needless to say the examples themselves, on nearly every page, give practical solutions, rules of thumb, shortcuts and even rigorous formulas where required (although few proofs or derivations, as this is more on the practical side, which is perfect for an applied audience but not if you're teaching theory and proofs of the equations). Some economics are covered, but not a lot, and not in depth, as other texts focus on that aspect as specialties.

I also use this to teach online classes, and although the text is usually $200, many sellers are importing the "international" edition (read: India for $30 new instead of $200) which IS the edition that is reviewed here. If you have a problem with these kinds of imports you might want to pass, but from a content viewpoint it is identical to the $200 edition, the binding is sound, and although the pages are thin and black and white, they are odor free and sturdy enough for handbook use. If you've gotten SI editions before, you know why I mention these parameters. Of course India uses SI units, but that is not as big an issue here since the math is universal.

Highly recommended regardless of which format you choose. Much of the material in this text is becoming a "lost art" in the West today with so much manufacturing having moved to Japan, China and India. Process manufacturing is not covered as extensively as discrete and assembly operations, although items like light bulbs and other silcone and glass processes are now being looked at as discrete liquid flows, with hybrid techniques between process and discrete. There is not a lot of "10,000 foot" detail on strategies between put out, job shop, distributed vs. centralized, indoor vs. outdoor, etc. as in oil refineries vs. auto production, but that's because this is a DETAIL text on the math behind the trees more than the forest. With those caveats in place, you'll find this a treasured addition to your library beside the more general economic, process and strategic/ facility texts.

1 of 1 people found the following review helpful.
Manufacturing process book.
By jaime zamora alvarado
I think 45 chapters contain in this book are interesting from of mechanical engineering.point of view, by moment, my opinion only is referenting some of them.

Chapters on casting process, machining, and metal working are writing wiith great details, figures, charts, etc. are easy to understand for a reader with basic knowledge , no experience in a manufacturer field.

I like the modern approach of this book because include CNC machining,centers and I know this subject has a high impact today.

So I recommendate to buy and read this book for reader who interesting on the sujects abouth mechanical engineering.

Jaime Z.
February 13, 2014

0 of 0 people found the following review helpful.
Goes into a lot of detail, but a lot of the information is rather useless
By Andrew Z.
Needed this for a Manufacturing Process & Materials class and really ended up not using it much. It contains a ton of information and goes into great detail for some of the most minor things, some of it great to know, a lot of it was rather useless. I found myself just skimming through chapters rather than reading them. Overall, if you need this book for a college class, see how the info in the book and the material your professor is teaching you line up. If the professor looks like he's skimming through the book himself for his class lecture, then you will probably not need this book at all and it'll save yourself a few hundred bucks.

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Selasa, 12 Maret 2013

[L425.Ebook] Download Ebook The Fourteenth Goldfish, by Jennifer L. Holm

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The Fourteenth Goldfish, by Jennifer L. Holm

Believe in the possible . . . with this New York Times bestseller by three-time Newbery Honor winner Jennifer L. Holm.
 
Galileo. Newton. Salk. Oppenheimer. Science can change the world . . . but can it go too far?
 
Eleven-year-old Ellie has never liked change. She misses fifth grade. She misses her old best friend. She even misses her dearly departed goldfish. Then one day a strange boy shows up. He’s bossy. He’s cranky. And weirdly enough . . . he looks a lot like Ellie’s grandfather, a scientist who’s always been slightly obsessed with immortality. Could this gawky teenager really be Grandpa Melvin? Has he finally found the secret to eternal youth?
 
With a lighthearted touch and plenty of humor, Jennifer Holm celebrates the wonder of science and explores fascinating questions about life and death, family and friendship, immortality . . . and possibility. Look for EXCLUSIVE NEW MATERIAL in the paperback—including Ellie’s gallery of scientists and other STEM-appropriate features.
 
“Warm, witty, and wise.” —The New York Times
 
* “Written in a clean, crisp style, with lively dialogue and wit, this highly accessible novel will find a ready audience.” —Booklist, Starred
 
* “Top-notch middle-grade fiction.” —Publishers Weekly, Starred
 
* “Ellie’s memorable journey into the world of science will inspire readers to explore the world around them and celebrate the possible.” —Shelf Awareness, Starred
 
“Awesomely strange and startlingly true-to-life. It makes you wonder what’s possible.” —Rebecca Stead, Newbery Medal–winning author of When You Reach Me

A SUNSHINE STATE AWARD FINALIST!

  • Sales Rank: #3815 in Books
  • Brand: Yearling Books
  • Published on: 2016-04-05
  • Released on: 2016-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .54" w x 5.25" l, .25 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Yearling Books

From School Library Journal
Gr 5–7—Eleven-year-old Ellie Cruz's life changes dramatically when her mother brings a teenage boy home one night and she learns it is her estranged grandfather. Melvin is a scientist who has figured out how to reverse aging and is now 13 again. Tensions are high between Melvin and his adult daughter, Ellie's mother, but Ellie feels like she now has the opportunity to really get to know her grandfather. Her interest in science blossoms, and she is eager to help Melvin retrieve the jellyfish specimen he used in his experiments so he can publish his discovery. Fascinated, Ellie learns about the work of Jonas Salk, Robert Oppenheimer, and Marie Curie. But as she learns more, she realizes that scientific discoveries often have unforeseen consequences. Readers are carried along with Ellie as she navigates old and new friendships in her first year in middle school with the added complication of her teenage grandfather at the same school. Short chapters keep the story moving at an engaging pace, and the interactions among the characters will easily hold readers' interest. Ellie's growing relationship with her grandfather helps her make discoveries about herself. Melvin, who begins as unapologetically single-minded in his determination to continue his work, also learns from Ellie. With humor and heart, Holm has crafted a story about life, family, and finding one's passion that will appeal to readers willing to imagine the possible.—Amanda Raklovits, Champaign Public Library, IL

Review
Publishers Weekly starred review, May 26, 2014:
“This is top-notch middle-grade fiction with a meaty dilemma, humor, and an ending that leaves room for the possibility of a sequel. “

Booklist starred review, July 1, 2014:
"A great choice for book groups and class discussions as well as individual reading."

New York Times Books Review, August 24, 2014:
"“Youth, old age, life, death, love, possibilities, and – oh yes – goldfish all come together in this warm, witty and wise novel.”

The Bulletin of the Center for Children’s Books, September 2014:
"Holm’s writing is crisp, accessible, and well paced, and her enthusiasm for science and its impact emerges clearly and consistently but not overbearingly, with clear, appreciative nods to the world of theater and its purpose in our lives. Indeed, this novel explores weighty elements of human existence with a light touch, allowing readers to engage with the issues at multiple levels; an excellent appendix of recommended readings encourages exploration and dialogue. This novel would make an ideal classroom read aloud, particularly to expose students to the rich and rewarding STEM fields."

About the Author
JENNIFER L. HOLM’s father was a pediatrician and she grew up listening to him talk about the wonder of antibiotics and how science could change the world. Today Jennifer is the New York Times bestselling author of three Newbery Honor books, as well as the co-creator of the Babymouse series (an Eisner Award Winner) and the Squish series, both of which she collaborates on with her brother, Matthew Holm. Find out more about her by visiting jenniferholm.com and look for her on Twitter at @jenniholm.

Most helpful customer reviews

7 of 7 people found the following review helpful.
I LOVE THIS
By Kelly
I wish I had had this book when I was younger. I never really liked science that much and I think books like this would have changed that. (I never thought about the ways that science actually changed the world or, as Ellie said, viewed it as a love story involving people and possibility. Isn't that an awesome way to look at it?)

And while there's nothing wrong with girls liking English (as I did all throughout school) or music or art, there's also something fantastic about showing girls in love with science. It's scary how easy it is to internalize that girls don't like math or science or aren't good at it. And yes, in my case that's actually true, but how much of that has to do with the fact that we're subtly taught that we suck at it? And how easily that becomes a self-fulfilling prophecy?)

ANYWAY.

I loved Ellie and her family (her parents are both artistic and Ellie never really thought of herself as being into science until she and her grandfather start doing these experiments together). And I especially love her grandpa who (God love him) stays elderly even when he has the body of a teenager.

I really enjoyed this novel and look forward to reading more by Jennifer L. Holm.

Highly recommended.

0 of 0 people found the following review helpful.
A young girl learns about science from her grandfather who has found the secret to reversing aging
By Michelle Boytim
Ellie lives with her mom, a drama teacher. Being 11, she likes stability and an even course, which explains why her goldfish lived such a long time (replaced by mom when the fish died). She is surprised to encounter a self-assured boy that claims to be her grandfather. Grandpa Melvin is a scientist who has been studying immortality and he has figured out the secret of reversing aging. He decides to stay with Ellie while he works out how to get access to his lab and his experiments. Along the way, he teaches Ellie about science and scientists and we get to see the upside down family dynamic with some humorous episodes. Along the way, the family also explores what is significant in life and whether eternal youth is a good thing or something dangerous. This is an interesting young adult novel with some real meat on its bones.

3 of 3 people found the following review helpful.
A Journey of Discovery of Self and Appreciation of the Path
By Celeste Cunningham
Wonderful story about discovering your passion, connecting with the least expected, understanding where you fit in and where you don't and that the result of that understanding is the first step to self-acceptance and self-love. We are all gifted with unique talents that are taylor made for us. The journey of discovery can be terrifying but also so satisfying. This story helps see this journey in a wonderful way.

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[O620.Ebook] Free Ebook The Orphaned Adult: Understanding And Coping With Grief And Change After The Death Of Our Parents, by Alexander Levy

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The Orphaned Adult: Understanding And Coping With Grief And Change After The Death Of Our Parents, by Alexander Levy

Losing our parents when we ourselves are adults is in the natural order of things, a rite of passage into true adulthood. But whether we lose them suddenly or after a prolonged illness, and whether we were close to or estranged from them, this passage proves inevitably more difficult than we thought it would be. A much-needed and knowledgeable discussion of this adult phenomenon, The Orphaned Adult validates the wide array of disorienting emotions that can accompany the death of our parents by sharing both the author's heart-felt experience of loss and the moving stories of countless adults who have shared their losses with him. From the recognition of our own mortality and sudden child-like sorrow to a sometimes-subtle change in identity or shift of roles in the surviving family, The Orphaned Adult guides readers through the storm of change this passage brings and anchors them with its compassionate and reassuring wisdom.

  • Sales Rank: #20432 in Books
  • Brand: Levy, Alexander
  • Published on: 2000-10-01
  • Released on: 2000-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .50" w x 5.50" l, .52 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Da Capo Press

From Library Journal
The death of one's parents is "the ultimate equal-opportunity" experience; becoming an orphan as an adult happens to nearly everybody. Yet despite the flood of self-help books on death and the grieving process, very little (with the exception of Hope Edleman's Motherless Daughters) has been written on parental loss. Incorporating his own personal experience with the accounts of others who have lost their parents, psychologist Levy examines this profound life-changing event with compassion and understanding. Since our parents "project an illusion of permanence," writes Levy, their death forces us to confront our own mortality (we are next in line to die) and to adjust to our new identities as orphaned adults. Indeed, he argues that this stripping of our childish beliefs is the first step toward true adulthood: "Perhaps only after parents have died can people find out what they are going to be when they grow up." This wise and caring book is recommended for all collections.AWilda Williams, "Library Journal"
Copyright 1999 Reed Business Information, Inc.

Review
"I have never been more moved than by reading this extraordinarily personal, inspirational, and helpful book....Levy makes the old new and roots the new in the timeless. A gem to be treasured, a truly life-affirming accomplishment." -- Rabbi Earl Grollmanm, D.H.L., D.D., author of Living When a Loved One Has Died

About the Author
Alexander Levy has been a psychologist in private practice for over twenty years. He lives on a farm in Pennsylvania.

Most helpful customer reviews

7 of 7 people found the following review helpful.
The most invaluable book I've read in many, many years!
By Two Dollar Dog
This is the first time I have ever given five stars to a book. I cannot begin to express just how thankful I am that Dr. Levy wrote this very personal, thoughtful and beautifully written explanation of all the feelings associated with the loss of the second parent. As it helped me to understand my feelings, it also helped me to understand my parents' feelings over the loss of their parents when I was growing up and how they were impacted and influenced by those losses. That in itself is huge! It helped me to understand the purpose of grief. It helped me to see what I knew in my gut but didn't understand until I read it - that grief doesn't take a linear path. That it really isn't a series of steps and processes. It's much more random than that. The book has helped me to come to grips with death as part of life and more than anything, it gave me the courage to fully embrace my feelings - to cry, to write, to talk about it, to pray about it, to help others when the occasion arises. I loved that Dr. Levy also wrote about how our spirituality is impacted by the death of our parents, our friendship ......so many things. I have already recommended this book to several people and donated a copy to our church library. I even wrote to Dr. Levy personally to thank him for penning this book. That's just how helpful I found it to be. While it is focused on parental death in adulthood, there is a great deal in it that is incredibly valuable to anyone grieving the loss of a loved one. I highly recommend this book!

2 of 2 people found the following review helpful.
SOME WILL SAY THIS IS A WINNING BOOK ON GRIEF!
By Ann
I find this book to be a masterpiece in the writings about grief and much of the baggage accompanying grief. Grief can be as painful as it is necessary, and we all experience grief in our unique way and timing. Grief can be cumulative and appear years down the road and when we least expect it, if for some reason we have not been able to resolve or work through when the incident happened. Note the word "baggage." It is not particularly comforting when used as one more heap of stuff to weigh us down. But within the metaphoric baggage can be found TREASURES for the soul, mind, and body. We can discover the essence of who that person really was and celebrate in our way of commemoration. However, all relationships are unique to individuals, and there are not always exclusive pleasant memories held by every family member. This can complicate the process, but there can be resolution.Sometimes arranging to see a professional to resolve issues can be extremely helpful. THIS BOOK IS NOT FOR EVERYONE, in my opinion, but it is wonderful for some. I loved the chapter on OUR FATHER WHO ART IN HEAVEN. Levy deals with the positive or negative influence a parent can still have on us long after their death. He shares some of his own personal experiences with his father. I also found the chapter on sibling relationships informative. Another aspect of loss can be the family battle over' I want that,' and I am entitled to what I want. Grief can be associated with many different situations. It is not always "death or a divorce" that brings grief.

1 of 1 people found the following review helpful.
OUTSTANDING !!!
By Gglinds
Having lost both of my parents with the most recent being my father, I found myself experiencing a myriad of emotions that were quite frankly unexpected. I started searching for answers as to where these feelings and intense emotions were coming from and why. My search gratefully lead me to, "The Orphaned Adult".

This book is amazing to say the least. The author is forthcoming with the details of his own experience and I found myself saying throughout the book, " Yes! That's exactly how I feel" and, "...of course! That makes perfect sense."

I highly recommend this book not only to those that have lost both parents but to those whose parents are aging and to those that have one parent left on this earth.

I wish there was a higher rating than five stars because this book was a true blessing to me and helped me in countless ways.

Thank you so very much for taking on a topic that is so relevant and so important. Well done!

See all 142 customer reviews...

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[U444.Ebook] Download Ebook Backwards & Forwards: A Technical Manual for Reading Plays, by David Ball

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Backwards & Forwards: A Technical Manual for Reading Plays, by David Ball

The best-selling script analysis book for thirty-five years

Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts.

Ball developed his method during his work as literary director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, conflict, theatricality, and the other crucial parts of the superstructure of a play. Also included are guides for discovering what the playwright considers a play’ s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.

Using Shakespeare’s Hamlet as illustration, Ball assures a familiar base for clarifying script-reading techniques as well as exemplifying the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards & Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
 

  • Sales Rank: #24565 in Books
  • Published on: 1983-07-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .40" w x 5.50" l, .30 pounds
  • Binding: Paperback
  • 104 pages

Review

“In fewer than one hundred pages, this marvelously instructive book shows how to unlock the secrets of plot, character, theme, exposition, imagery, motivation, conflict, theatricality and pacing. . . . Our editor says he learned more about dramatic structure in the few hours he spent with this ninety-six-page book than he has in his twenty years of theater experience.”—Stage Directions

“Ball wrote [Backwards and Forwards] to help people who put on plays understand how a play works. . . . He argues that scripts represent a special kind of writing—because it is writing meant to be staged, not read— and thus requires special reading techniques; these techniques are what he offers.”—Dramatics

“David Ball’s Backwards and Forwards is without a doubt the most practical, useful, and inspiring book I've used in my graduate playwriting classes. Its value extends beyond playwrights to directors, actors, and anyone interested in how plays are constructed, analyzed, and appreciated. It’s the bible for all theater practitioners.”—Stephen DiMenna, faculty at New York University

“This book is invaluable for teaching writers how to read a play and hence how to craft their own. So many craft books try to redefine the language around writing. Ball keeps it simple and true, which is why it is a classic in theater pedagogy. I can’t teach without it.”—Darrah Cloud, Goddard College

“David Ball’s Backwards and Forwards is the standard for anyone trying to understand the nature of dramatic action. No book has more succinctly and pragmatically described how plays actually work than this one, and the worth of this book is proven by its ubiquity on the shelves of playwrights, dramaturgs, and teachers of dramatic literature all over the English-speaking world.”—Michael M. Chemers, author of Ghost Light: An Introductory Handbook for Dramaturgy

“Backwards and Forwards is the foundation text for my undergraduate script analysis class. Concise, easy to navigate, and thought-provoking, Ball's work provides a common language and methodology with which theatre artists can navigate dramatic text. Accessible to those both new to and familiar with script analysis, Ball's text paves the way for rich discussion and meaning making in the classroom and on stage.”—Elizabeth Horn, assistant professor of theatre, University of Central Florida
 
 “David Ball's brilliantly conceived and written book is a valuable asset in all of my scripting classes. Though aimed at playwriting, Backwards and Forwards is of particular use in my screenwriting classes, where we use his concepts to understand why there are so many flimsy plotlines in modern films. Ball's book . . . is an essential text for classes and professional writers.”—Michael Wright, University of Tulsa

“Backwards and Forwards is an essential part of my acting class. I have found no better book to lay the groundwork for the principles we will be working on over our four-year training program. One of the strengths of the book is its ability to get students from such diverse backgrounds and levels of experience to work together and get on the same page.”—Richie Call, Utah State University

 “Indispensable in my directing classes, this slender little volume contains an elusive mix of uncommon clarity, bracing provocation, and immediate usefulness. Never one to linger on his own cleverness, Ball makes an immediate case for action and propulsion in both script analysis and theatrical production. Directors must learn to read plays before they can direct plays, and Ball’s book gives them the tools they need to read plays carefully and purposefully.”—Matthew Reeder, Ball State University

 “David Ball's little tome may have been written for directors of theater, but I find its practical and straightforward manner in explaining how to read a script essential for writers. I require this book for my screenwriters, television writers, and playwrights. It is a core part of my library.”—Sean Gaffney, director of the MFA in script and screenwriting, Regent University

“Backwards and Forwards: succinct, clear, incisive. As long as stories are valued, this book will stay young. I just keep going back to it. Students love it. And so do their teachers.”—David Feldshuh, Cornell University
 
“Backwards and Forwards is a brilliant, unique, and influential book. I have used it for many years in my work as a professional actor and director, as well as in the classroom when teaching directing and play analysis.”—Harold Dixon, distinguished professor emeritus, School of Theatre Arts, University of Arizona
 
“It's extremely rare that you will read a book and it changes your perspective on not only what you do creatively but also how you do what you do. David Ball's Backwards and Forwards is that book for me. It gave me a practical way to inject new life into techniques that I'd been using for years which allowed me to become a much better writer, acting coach, and college professor.”—Kenneth Cosby, former writing professor at the University of Southern California, Los Angeles, and New York University

“I first encountered Backwards and Forwards as an undergraduate and now, as a college professor, teach it to my own students. The book’s deceptively simple, straightforward approach to play analysis not only is timeless but also continues to provide me with fresh insights as both a scholar and a practitioner.”—Inga Meier, Stephen F. Austin University
 
“In less than one hundred pages Backwards and Forwards has taught me more about theatre than any other book. It makes me a better artist and a better teacher.”—Matt Fotis, Albright College

“For such a little book, Backwards and Forwards packs a wallop. For decades, Ball’s thoroughly enjoyable read has been my secret weapon for every class that I taught in theatre arts. I have used it faithfully as the key reference text guiding student actors through in-depth analyses of the classics of world theatre. . . . For the first-time reader, it can be devoured in one sitting. For the most experienced actor, director, or scenographer it is a text best kept on the shelf as a well-worn reference. Breezy, engrossing, and succinct, Backwards and Forwards is the key to unlocking the universe of the theatrical canon of world plays.”—Theresa Larkin, California State University, Los Angeles
 

About the Author
David Ball wrote Backwards and Forwards when he was  Professor of playwriting, acting, theater history, and literature at Carnegie-Mellon University. He had earlier been on the senior directing and literary staffs at the Guthrie Theater in Minneapolis, and more recently was Head of Drama at Duke University during that department's "Golden Years." His students have gone on to win  Emmies, Oscars, Obies, and Tony awards in every area of theater, TV, and film.  Backwards and Forwards has been the field's standard text for a quarter century, making Dr. Ball one of the most influential and respected of theater and film theorists, educators, and trainers of his generation. His own professional directing, producing, and writing credits encompass Broadway, off-Broadway, regional theater, and film; and his landmark adaptation of Moliere's The Miser was staged in major regional theaters from coast to coast as one of Theatre de la Jeune Lune's Tony-award-winning productions.

Most helpful customer reviews

23 of 23 people found the following review helpful.
An eye-opener for writers, readers, and play- & movie-goers
By Jp Christy
A friend who teachs drama and directing at a local college recommended this book to me after he'd read a script I'd written. Not only is it a fast and interesting read, it offers simple and sometimes brilliant techniques for understanding and evaluating plays, movies, and even books. Even if you never plan to act or write, this well-written little book will enhance your appreciation of good story-telling. And if you ever had to endure discussions of "Hamlet" in high-school or college, you'll likely be surprised by Ball's unique take on the character as an example of dramatic writing.

0 of 0 people found the following review helpful.
GOOD
By OA
Great condition and very good for use in class!

1 of 1 people found the following review helpful.
The Only Book on Reading Plays You'll Ever Need
By Sarah Matte
I've had this book for a few years and it's marked up from cover to cover! This is the only book you'll need on how to read plays. Ball teaches you how to completely deconstruct a text, find motivations you didn't even realize were there, and provides probably the definitive explanation for one of the most heavily debated plays of all time: Hamlet. If you're involved in the theater, want to be involved in the theater, or simply love reading and watching plays, there's no book I'd recommend more.

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